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I like the heel on those--very nice. They sort of remind me of Foster's bespoke.
Nice pics.
Why does the heel remind you of Fosters?
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I like the heel on those--very nice. They sort of remind me of Foster's bespoke.
Nice pics.
When did Loake ever make shoes with shape that remotely resemble this?
Haha, then I own a pair of John Lobb Paris bespoke (not made for me).
So you post a picture of an old bespoke sample. Shouldn't you say Lobb Paris bespoke WAS the **** 50 years ago, then? Moreover, now that Philippe Atienza has left Lobb for Massaro, would Massaro now be the "the ****" and Lobb Paris in the ****?
The longitudinally diagonal signature script on every pair of Lobb Paris bespoke that I have seen has been black. Lobb St. James uses gold, accompanied by three Royal Warrants post-1983 and two Royal Warrants before that, at least since the fifties. Prior to the 50s I have no idea. Anyone...?
ahh Manton I'm jealous as hell, i'd kill for a pair like the black one you have!
Perhaps you find it reflective of the "fading" that Maxwell/Fosters applies to the finish of some of their shoes???
I did have a short visit with Simon Bolzoni of Fosters/Maxwells while he was in Washington and had an opportunity to see some examples of this "fading." While certainly some of Fosters shoes acquired this look as a result of time and sunlight, they indeed apply a special technique to achieve the effect should a customer desire it. That said, some points should be made. First, one shouldn't overstate the role this technique plays in Maxwell's offerings. Most models are very traditional and finished in the classic manner. Second, those examples which do employ this fading (I believe there were three that Mr Bolzoni had with him) are less ostentatious than one might imagine. While they are not to my personal taste, I can imagine the effect when well executed could create an intriguing and attractive shoe. I take it that achieving this is not easy and can only really be done on shoes of superior leather quality (which would seem to be counterintuitive). Moreover, the visual impact is more than just that of the color of the finish. For instance, one pair was a wingtip monk with broguing on both the toe and strap (there was an interesting discussion of the merits of such a monkstrap generally elsewhere on this forum). The fading changed the focus of attention so that the shoe actually appeared a bit less busy (I know this seems counterintuitive as well) inasuch as it draws attention away from the design on the strap and uppers and creates more focus on the toe. All in all, I can see why some individuals would find this approach appealing. I just do not happen to be one of them.
Lobb St. James uses gold, accompanied by three Royal Warrants post-1983 and two Royal Warrants before that, at least since the fifties. Prior to the 50s I have no idea. Anyone...?
How many of you could tell the difference between those Lobbs and a pair of Loakes from 10 feet?. Be honest now.