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http://quillandpad.com/2015/11/27/r...cellence-in-hand-crafted-english-watchmaking/The Roger Smith Series 4 looks pretty cool. What's the retail on one?
Wow, £250,000. I would never think that getting a Patek perpetual calendar chrono would be easier and cheaper than this watch.http://quillandpad.com/2015/11/27/r...cellence-in-hand-crafted-english-watchmaking/
I've heard that there is a substantial waiting list of around 5 years, already.
Wow, £250,000. I would never think that getting a Patek perpetual calendar chrono would be easier and cheaper than this watch.
Difficult to compare (for example) PP with RS. They are very different propositions. I'm not saying one is 'better' than the other - and each to his own - but the whole point with RS's watches is that they are the legacy of George Daniels
Despite all the marketing, a Patek is understated and I haven't had anyone comment/notice this.Honestly, I think Rolex/Patek are the only watch my coworkers would recognize.
Thank you for bringing some independents - especially at the high end - into the thread. Much appreciated.Difficult to compare (for example) PP with RS. They are very different propositions. I'm not saying one is 'better' than the other - and each to his own - but the whole point with RS's watches is that they are the legacy of George Daniels (one warchmaker, although RS has a team of around seven I think, almost entirely in house), tiny tiny production (around ten a year I think) and so a more artisanal product. Possibly not as 'crisp' as a PP, but something of real rarity. Of course you must always buy what you love, but I'd also see an RS as a superb investment - I actually think they are very good value comparatively for what they are and the rarity. Roger said the waiting list is c three years.
Thank you for bringing some independents - especially at the high end - into the thread. Much appreciated.
This leads me to query the general wisdom of the crowd: how do such works hold their value over time? Who were the independents 40 years ago and what happened to their value relative to brands that are corporate owned and whose recent heavy marketing is responsible in part for the rising tide of vintage prices? What will happen to the likes of RS, Dufour or Hajime Asaoka when this generation of buyers dies out, assuming they don't get bought?