DorianGreen
Distinguished Member
- Joined
- Sep 7, 2022
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Perticone Bespoke.
STYLE. COMMUNITY. GREAT CLOTHING.
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Been in communication with Daniel, just waiting on his travel schedule. I like Daniel’s experience, love for his craft and control over the building process—nothing leaves his premises.Why both Daniel and Gaziano by the way? Also Emiko Matsuda is going to have very different aesthetic then the other two as well
Ps personally wouldn’t do Chelsea with broguing, never find one it truly worked, got an inspiration picture?
I’m going with Emiko and Simon, both from Foster and Son heritage (similar single monk strap shoe different color) and Daniel Wegan (Catella) and Tony Graziano from Graziano and Girling workshop. It’s the classic English aesthetic I’m after which I think all 4 makers can execute well. No chisel toe or extended toe boxes or leading edge patinas. All of the shoes I have in mind could have been constructed 100 or more years ago. I hope to report on my experiences here.Why both Daniel and Gaziano by the way? Also Emiko Matsuda is going to have very different aesthetic then the other two as well
Ps personally wouldn’t do Chelsea with broguing, never find one it truly worked, got an inspiration picture?
Been in communication with Daniel, just waiting on his travel schedule. I like Daniel’s experience, love for his craft and control over the building process—nothing leaves his premises.
I have great respect for Tony Graziano, had a 4th shoe in mind and didn’t realize he’d be available at the trunk show I went to yesterday. If a different lastmaker from Graziano and Girling was at the trunk show yesterday I would not have been interested.
I’m leaning toward the broguing with cap toe and cap heel but am not completely locked in yet. Will consult with Daniel and ponder between now and fitting shoes. I do like the modified V shaped elastic as shown in the CJ boot.
I’m going with Emiko and Simon, both from Foster and Son heritage (similar single monk strap shoe different color) and Daniel Wegan (Catella) and Tony Graziano from Graziano and Girling workshop. It’s the classic English aesthetic I’m after which I think all 4 makers can execute well. No chisel toe or extended toe boxes or leading edge patinas. All of the shoes I have in mind could have been constructed 100 or more years ago. I hope to report on my experiences here.
Looking to use a bespoke quality analine black calf leather with the Emiko commission—a cap toe single monk strap with broguing and silver buckle. Leaning toward no medallion on the cap.I absolutely agree, I'm not a fan of elongated toe boxes and showy patinas, so in trend nowadays, I much prefer the quiet charm of a nice plain leather.
An awsome loafer by Emiko Matsuda in Vintage Freudenburg Taupe Baby Calf.
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I think that Chelsea boot from gaziano & girling is Chelsea boot perfection. The proportions and elongated chiseled last fits the character of a Chelsea.Not saying that the broguing looks bad, but somehow misplaced on a Chelsea Boot.
I would stick to the plain traditional style. Not a fan of the vee-shaped elastic either.
Catella Shoemaker.
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These are stunning. I’m not sure that I could pull off that color but god damn I’d like to try. Everything else is so classic that it balances out.I absolutely agree, I'm not a fan of elongated toe boxes and showy patinas, so in trend nowadays, I much prefer the quiet charm of a nice plain leather.
An awsome loafer by Emiko Matsuda in Vintage Freudenburg Taupe Baby Calf.
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No patina is fine, but it needs to at least be polished.Anybody else preferring a plain, uniform colour over a fancy patina? I also prefer the rather matte, silky finish.
The same pair of shoes before and after patina, Catella Shoemaker.
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No patina is fine, but it needs to at least be polished.