lowlander
Senior Member
- Joined
- Jul 14, 2014
- Messages
- 110
- Reaction score
- 55
While some posters have highlighted the importance of the difference between suit structures there's more to it than construction alone. It's not just that I did not personally enjoy the experience of wearing English suits, it's also the fact that I never did much find the attraction of the aesthetic or the idea of the English suit. As far as aesthetics go, my spiritual home is the 20th century: Stravinsky; Britten; Brecht; Van Der Rohe; Chet Baker; Biggie Smalls etc etc. Jean Baudrillard once stated something to the effect that national cultures are continuously defined (and redefined) by the particular periods at which their identities culminated. If we can say that in this respect America is continually defined (and redefined) by it's 20th century, France by it's 18th, Italy by it's 16-17th, then perhaps we can say that Britain or England is "wrapped up" mostly in it's 19th century. Indeed I find the whole aesthetic and idea of English tailoring incredibly derivative of it's Victorian era heritage (just visit Savile Row tailors to experience it). The explicit marketing references to the military, aristocracy and royalty are just some obvious examples. This just happens to be an aesthetic value that doesn't appeal to me in the least.
All of that's just context though, what I thought was interesting as far as my personal experience is concerned was to make the connection between my negative experiences of wearing suits that were "English" with my realisation that these suits were part of a broader culture and aesthetic that didn't particularly appeal to me to begin with. The positive outcome was that this only served to enrich my enjoyment of the Italian suits I have begun to wear and to appreciate the aesthetic values that produce them.
All of that's just context though, what I thought was interesting as far as my personal experience is concerned was to make the connection between my negative experiences of wearing suits that were "English" with my realisation that these suits were part of a broader culture and aesthetic that didn't particularly appeal to me to begin with. The positive outcome was that this only served to enrich my enjoyment of the Italian suits I have begun to wear and to appreciate the aesthetic values that produce them.